"Three Whites and a Red" - DOLLAR FEATURED AUCTION - Starts 6 PM PDT

"Three Whites and a Red"    6" x 8"     Oil

"I wonder how many times I have painted that apple. I have a variety of the most realistic artificial fruit I can find in my collection of still life objects. I can throw together a large still life for a class or for my own use in minutes. Looking back at my paintings over 35 years, I see my old, faithful 'friends'."  --- SFG

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NOTE TO ARTISTS: Small, daily paintings are now the rage. Once the standard rite of passage of the beginning artist, these are still a wonderful exercise. Just watch the growth of the daily painters who show their work online and you will confirm their value.

"Saucy Monday" - Auction Starts Today On eBay at 6 PM PT

"Saucy Monday"   - 24" x 24"  - Oil

"This studio painting was based on a series of photographs I took years ago in a workshop. We had colorful models and the line of waving laundry that caught the sunlight leaking through the tree canopies. I love the gesture of this spirited 'laundress'."  --- SFG

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NOTE TO ARTISTS: I am so glad that I took numerous photos of the models this day as well as paint. I have painted several paintings from them and never cease to be inspired by the photos. Ideally, I could have the models in front of me throughout the process, but larger works are usually best done in the studio from studies and what I call "photo sketches". The studies remind me of the color and the photos offer details that I've forgotten.

Ocean Fire

"Ocean Fire" - Oil - 6" x 8"

"This marvelous display warmed the evening even though the effect was temporal. Remembering and capturing such shows are an irresistible challenge." --- SFG."

NOTE TO ARTISTS:

Fleeting subjects like this are unpredictable, changing and passing within minutes. Have your canvas, palette, and several small panels ready and work like a madman. For insurance, keep your camera handy, too.

"Autumn Evening"

"Autumn Evening" - Oil - 24" x 30"

"This is a new work, now showing at Art & Soul Gallery in Ashland, Oregon. The show will be up from now to May 1, 2010. This is a richly painted canvas (thick paint) and is a highlight of the show." --- SFG

"Variation on a Theme 6"

"Variation on a Theme 6" - Oil - 8" x 6"

"The last in this series of rose paintings is a closeup of two of the roses. Using a small canvas, I laid on the paint with vigor, thick and decisive. The energy of these small works set them apart and speak for themselves." --- SFG

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"Variation on a Theme #5"

"Variation on a Theme #5" - Oil - 11" x 14"

"I selected the round vase from the previous setup and gave it a classic light-against-dark treatment. The value contrast makes a strong painting and the round vase, a pleasant contrast to the complex blooms." --- SFG

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"Variation on a Theme #3"

"Variation on a Theme #3" - Oil - 8" x 6"

"My third painting (see previous posts) was a small 8" x 6" version. I laid the paint on thickly and concentrated on lively, abstract forms." --- SFG

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"Variation on a Theme #2"

"Variation on a Theme #2" - Oil - 11" x 14"

"For this second painting in the series, I chose a smaller canvas, 11" x 14", and used a more abstract close-up composition. The hues within the roses always stimulate my passion for color." --- SFG

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"Shed at Carter Cabin"

"Shed at Carter Cabin" - Oil - 8" x 10"

"These quick little paintings are such a joy to do. Catching the quality of light and shadow is the goal and the subject matter is the icing on the cake. This small building is located on the only privately owned property within a wilderness area in the United States. The owners graciously invite my family from time to time. It is certainly one of the most beautiful areas in California." --- SFG

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"Backyard Jumble, McCloud, California"

"Backyard Jumble, McCloud, California" - Oil - 24" x 24"

"This rickety shed is set among the litter so typical of the charmingly trashy-chic community of McCloud, California. The small-town atmosphere and spectacular views of Mt. Shasta nullify any need for conformity to standards applied elsewhere. Once a rough-and-ready lumber town, it is now a get-away community for those from the Bay area or southern California. Artists who visit are grateful that it maintains this character for it is infinitely more interesting than planned and rigidly supervised resorts." --- SFG

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"Open Gate"

"Open Gate" - Oil - 8" x 10"

"My plein air paintings are a diary of my life. A few weeks ago, when we were visiting our son and daughter-in-law, the guys wanted to attend an RC model competition. Having experienced two generations of contests, I went down the road and set up my easel in this picturesque rural setting. I did two small paintings while my husband and son enjoyed the event. I enjoyed myself as much as they did!" --- SFG

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"Springtime in the Vineyard"

"Springtime in the Vineyard" - Oil - 11" x 14"

"This vineyard, perched on the hills above Cambria, California, defied the image of a slick winery and had rustic appeal of its own. The old barn harkened back to the days when it was a cattle ranch." --- SFG

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NOTE TO ARTISTS:

Yesterday, I started to write this blog, first showing the work as it was when I stopped work on it in the field. Then I had another shot of the "finished" work. When I had both images on the screen, I realized that the painting was better in the "before" view than in the "after".

Before:

After:

I had lost the simple shadows on the barn and overdone the lines around the barn doors. Today, I reworked it and am happier with the result. Sometimes we loose sight of the big things when we begin to "noodle"!

"Nursery Near Hubbard"

"Nursery Near Hubbard" - Oil - 8" x 10"

"The area south of Portland, Oregon, is where much of the landscaping plants for the west coast are raised. The beautiful patterns such nurseries make as they drape the hillsides and fine landscape painting material. This one is in view of Lenhart Air Park." -- SFG

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"Near the Shed"

"Near the Shed" - Oil - 8" x 10"

"While visiting our son and daughter-in-law, I painted the farms within walking distance. This one, across the road, had sheds, a small vineyard, and roses at the end of the driveway. The light was just right to enjoy the blooms." --- SFG

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NOTE TO ARTISTS:

These small paintings that I've been posting lately are not masterpieces, but are part of the ongoing discipline of painting. Many are done while traveling with family or friends.

An artist must maintain his skills. Bill Reese, a wonderful teacher, said (often), "If you paint every day, you get better. If you paint every-other-day, you stay the same. And if you paint every third day, you get worse."

Making Your Art Collection Your Own

I hope all of you have the opportunity to visit the Prix de West Show at the National Cowboy and Western Heritage Museum in Oklahoma City. If not, go to http://www.nationalcowboymuseum.org/events/pdw/2009catalog/available.aspx The stop was part of my multi-city trip and was well worth it.

An added bonus was the McCloy Collection. (Go to http://www.nationalcowboymuseum.org/events/event.aspx?ID=189) This is a private art collection of Bob and Curtice McCloy of Oklahoma. It features the works of such notable artists as Bob Kuhn, Ken Carlson, Tucker Smith, William Acheff and more. The show, “Patrons Without Peer”, coincides with the release of a book by the same title in which Tom Davis documents the substantial collection.

What struck me while enjoying the virtuosity of these masters, was that the work shown told me as much about the collectors as the artists, perhaps more. Their vision and ability to foresee the artistic value of these works was surely based on their own preferences, but excellence was the underlying determinant. To have linked top-ranking painters into one group ties them together as long as the collection is united. What a boon for artist and collector alike. The whole becomes greater than the sum of the parts and is the creation of the collector.

Anyone who collects art has the opportunity to create a strong collection. The McCloys bought, traded, and sold works over the years, refining their stable of artists and pieces and, ultimately, produced a very noteworthy representation of themselves and of art itself.

Now, seize the day! Work on your collection with all the joy and promise that an artist feels as he steps before the easel.